Interview with César Tellez!

Here we are again with more interviews for you! This time we have for you a conversation with César Tellez, he is Mexican and he has been a member of our artist community for a long time and now he has collaborated with us! His artwork will appear in the new coming products of our shop. Thanks to him and enjoy the interview!

Hi César,
Do you paint professionally or as a hobby artist?

Together with some friends, we have just started making digital art professionally. And we’ve been doing comics as a hobby.

When did you start with digital painting?
About 4 years ago, when I started to be a regular user of Kubuntu. In those days I bought my first graphic tablet and I started to search for tools for working with digital art in Linux based systems.

How was your first take on it?
Well, I was used to use the programs of that famous company that makes proprietary graphics software. My first attempt was with GIMP, and getting used to it wasn’t hard. Maybe it was a little irritating to work with all the separate windows, but bit by bit I got used to ti.  Eventually I discovered MyPaint, and that was a lot easier for me in a lot of ways.

Would you prefer digital painting or traditional?
I still prefer traditional painting and if the modern publishing industry would make it possible, I would exclusively work in the traditional way. But  it is more practical,  more productive to paint digitally. Anyway,  you can obtain the same effects with both methods, so it will always depend on the circumstances of each job and on the artist in particular.

How did you get in Open Source Communities?
It was almost at the same time that I started to use free software all the time, as immediately I started to find compatibility problems, system collapses and all those lovely issues. So I understood the need to be in contact with other users via forums and blogs almost immediately.

What do you think about Open Source communities?
There are all kinds of members, as it occurs in all the communities on line, but i have always been fortunate to find very kind and cooperative people.

Did you contribute to any FOSS project?
No, this will be the first time and I do it with pleasure

MiniKampfMinimal(1)

How did you find Krita?
At the moment of experimenting with open source apps. I tried Krita since the version 1.6.3, which wasn’t usable for me, but even back then, it seemed a promising program.

How was your first take on it?
Well. 1.6.3 and 2.0 gave me huge headaches, for the slowness, crashes and the limited file format support. It was difficult, but when 2.3  was released it turned almost overnight into my favorite tool.

What is the thing you like the most about Krita?
In the first place, that is a very flexible program, its configurability makes it very convenient to adapt to the type of technique or result wanted. Then its variety of brushes is very useful, as is the fact that each painting engine has a lot of configuration options.
It is  also what I call a “direct” app: it has filters, selections and other features that are there and can be used for photo editing or general treatment of the image, but don’t disturb the work for drawing, they are there but don’t  impede the concentration when painting.

What do you think needs improvement in Krita?
Maybe its resource consumption, it’s the only thing that doesn’t allows the position of Krita in the most popular digital art apps, apart there is that limitations of using a based in Linux system or the uncomfortable thing of a dual-boot

Something you hate?
Not really, except for the sudden closures of the app, but this occurs almost only in the test versions.

In your opinion, what sets Krita apart from the other tools that you use?
Together with MyPaint, it comes closest to painting on a normal sheet of paper, it’s very comfortable with regard to its painting tools, but there are also these little options that you can find in photo editing programs that sometimes you need for working.

What brushes did you use?
I did the sketch in a paper sheet and then scanned it. The coloring process was done with pixel brushes with the maximum opacity, to make easier the application of color (task that regularly I start for solid colors with the fill tool). For the lights and shadows i used the blur brush, sometimes with textures, that, i have to say, that is a very interesting tool that Krita offers.

Thank you so much for this interview César, has been a pleasure 🙂

Hope you all enjoyed it!

 

Advertisements

Check out the new cool merchandise!

Hi to all!

Here we are again with new products in the webshop. Now we have for you pillows, t-shirts, laptop sleeves… and more!
This time we had the collaboration of Tago Franceschi, Coyau and Nayobe Millis (our youngest artist), thanks to all of them to allow us to make great stuff with their artworks! You can see all the products on the Kritashop.

Here are some photos of the new products, enjoy it and share your love for Krita!

Cute tote bag by Nayobe Millis!
Cute tote bag by Nayobe Millis!

Suonatrice Pillow
Suonatrice Pillow by Tago Franceschi

Meet Coyau!

Today we have for you an interview with Coyau, who is the artist who has collaborated with us with the funny artwork of the mouse, thanks to him! Enjoy the interview!

Hi Coyau, Do you paint professionally or as a hobby artist?
I paint mostly as a hobby artist, but I sometimes have to produce drawings or paintings professionally.

When and how did you end up trying digital painting for the first time?
I spend a few years doing traditional painting. And I tried digital painting, and I realized that I didn’t have to wash my brushes and would not lose my pencils or my eraser any more, and I bought a small wacom tablet (more or less 10 years ago).

 

mouse_by_coyau-d5qwt9r

 

What is it that makes you choose digital over the traditional painting? or Do you still prefer traditional means, if so, why?
Each technique has its advantages. History and layers make digital painting easy to erase, and that’s good if you want to try different things (it sometimes is difficult to stop trying and actually doing). Zooming is nice too (and dangerous at the same time). And I don’t lose my eraser any more. Traditional painting is more direct, you see what you get, you feel what you do (the pencil on the paper…), there is a sense of timing that I like (the time for watercolor to dry, or not completely, or not at all…). And there is no damn settings.–Nice comment–.

How did you first find out about open source communities? What is your opinion about them?
I discovered open source through Wikipedia when I started contributing in 2005. I guess open source is nice when you can to code, other than that, well… I still would have to pay someone to do my coding if I wanted something done (I’ve tried asking nicely, it doesn’t always work). And often, FOSS are done by developers with smart algorithms and a lot of goodwill, but no idea of what is using the software when you need a result and you don’t have time to spend understanding what every setting means.
It’s great, though, to have free software, without having to pay a licence or to crack anything.

Have you worked for any FOSS project or contributed in some way?
I use some, but I don’t code, I don’t understand software enough to do a bug report… I sometimes talk about it to people.

How did you find out about Krita?
I discovered Krita through David Revoy and his work on Tears of Steel for the Blender Foundation.

What was your first take on it?
I got lost in the brushes settings.

What do you love about Krita?
It is a painting software where there is more than just brushes. I like all the transformation tools, the rulers, etc., they make it easy to correct a drawing without erasing (I have been taught that erasing is bad).

What do you think needs improvement in Krita? Also, anything that you really hate?
I don’t know, really. I could say that it needs hierarchy: few presets (like brushes) easy to find/use and to use and all the fine settings if you need them or if you want to refine your use of it.

In your opinion, what sets Krita apart from the other tools that you use?
The transformation tools, and the grids are really cool on one hand and on the other, the complexity of all the brush settings and the huge number of blend modes I will likely never use.

If you had to pick one favorite of all your work done in Krita so far, what would it be?
I’ve uploaded to DeviantART my favorites (what I didn’t delete so far – I delete a lot).

What is it that you like about the mouse? What brushes did you use in it?
I’ve tried to do what I did on paper: kraft paper, “pencil_HB” (which works well), “Pencil_2B” (that looks more like black chalk), a little watercolor and white gouache for the highlights (unfortunately, I can’t find the watercolor tool, so I’ve used white “pencil_HB” instead – go figure).
Maybe I should try brush kits…

Thanks Coyau for this interview! Here you can see more of his art 🙂

Interview with Ramón Miranda, author Of Muses DVD

Today we have for you an interview with Ramon Miranda, who is developing our second training DVD: Muses. He is also working with David Revoy and Timothée Giet on a new presets package. Enjoy the interview!

1. Do you paint professionally or as a hobby?
I paint professionally

2. When and how did you end up trying digital painting for the first time?
I met the world of digital painting trough my sister. She got my parents to buy a pc. The first program I used was MS Paint of course. Later, a friend of my sister showed me Deluxe Paint. Still later, because I got involved in the demo scene, I got to know more applications. My first experience was a disaster because I couldn’t have the same creative possibilities that traditional painting offers, so it was frustrating! But I overcame the challenge.

3. What is it that makes you choose digital over the traditional painting? or Do you still prefer traditional means, if so, why?
That’s something that makes passions run high! 😉 i haven’t discarded traditional painting. I love painting with oils or make portraits in pastels. Recently I have returned to coloured pencils and markers for making speed studies.

4. How did you first find out about Open Source Communities? What is your opinion about them?
I got there through sheer stubbornness. I discovered a different way of doing the things, free apps that in Windows didn’t work all that well. So, with the help of a friend and people on IRC, we started with the installation of Ubuntu to test the performance of Gimp in its native habitat. Dual boot and ready for the adventure!
There are things that I like and things I don’t… People are very helpful in these communities, so you don’t have to fear anything. But it’s something that requires time, sometimes a lot if the problem is bigger and this can discourage some people.
With the time I have gained in patience and in how manage my contributions, something essential if you want to contribute in bigger projects. You can’t expect that all the things you wish for will be implemented RIGHT NOW! But I think that is beneficial to other sides of work.

5. You contribute in an active way with Krita. Have you contributed in another FOSS project?
I contributed to GIMP through the GIMP Paint Studio project. That was a project where I  collaborated with different artists, creating a set of resources that improve GIMP for painters. But in the end I decided to leave GPS and support Krita directly. Focus on the resources is something important too. I have collaborated with GIMP making the presets set and default brushes for 2.8.
And I have created brushes and tutorials for Mypaint, too. Video and PDF tutorials.

6. How did you find Krita?
I think that it was through David Revoy, I decided to pay more attention following his steps.

7.How was your first experience?
I didn’t like the slowness and instability. Really, it was hard to convince me that Krita could be useful for me. But when I saw programmer-user relation, I stayed involved. Then I saw the usability of the GPS resources in Krita and the possibility to adapt the presets in Krita, and I started to use it more and more. When I saw the expansion possibility of Brush engines, the good performance, and future plans I decided to support the project in the best way I know, painting pictures that show all the features that Krita has.

8. What do you love about Krita?
The color pickers on canvas, brush editor (because is very easy to use), the painting assistants like perspective grids, the ease of drawing geometrical figures, symmetrical painting…

9. What do you think needs improvements in Krita? Also, anything that you really hate?
I think that the system of presets management needs improvement! It should be possible to order the presets inside the palette and I want to select multiple presets at the same time and apply tags.
Better performance for largers images and brushes. I mean.. Using a 1500px diameter brush and possibility of painting 10.000px without lag would be awesome. Also, the control of aspect ratio through entry sensors.
I don’t hate anything but it bothers me to have to open a new Krita window for each image. I miss a image browser or multiple views on the same image — this is something that comes of my times of using GIMP

10. In your opinion, What sets Krita apart of the other tools that you use?
Krita is different regarding view, use-case, and the relation between developers and users. Krita is a project with users that know what they want or what can expect of a graphic app, you can see it in all the works that are in the forum. But art is very personal so we can go in personal reviews. 😀

11. If you had to pick one favourite of all your work done with Krita so far, what would it be?
i see you want me to stick out my neck, so here it goes: The Birth of Nanths.

The birth of Nanths_final highres

12. What is it that you like about it? What brushes did you use in it?
The color, idea and the use of new techniques for overcome technical problems, i learnt a lot with this image.
I used personalized presets that are in the set of the DVD: “muses 04_02 Oil Brush small” for all the rocks of the background and also the texture like “muses 06_03 Txture 03 marble”. A lot of airbrush for the atmosphere and the  “muses 07_04 Texture 10 Smoke” for the smoke coming out of the spacecraft. “muses 03_04 Beamlight” for all the lights and the bloom effect of the Nanths. The water was a special case where I used blender effect brush with “muses 05_01 Blender brush”

13. What encouraged you to develop Muses project?
Clearly, the program. It was very mature to make and offer a quality product. I was seeing all the possibilities and then I asked myself, do the rest of the world know about all that?

14. Do you think in a future project for Krita?
I’m very interested in the promotion of Krita. At least that more people give it a try so they can develop an opinion.

15. How is being your experience with the creation of Muses DVD?
Is like being born again… I am discovering lots of new features and possibilities of the program and finding ideas that I couldn’t find in other way. For example in the icons of the presets, in the choice of brushes or in the painting itself). It’s being a hard experience, it isn’t easy making a DVD! ButI think that it is a positive experience. I give the best of me when I’m in confronted by a challenge and this is a challenge on a large scale!
Muses will show off Krita’s quality and it’ll be a joy to watch. You’ll learn about a lot of details that make Krita a unique software. I hope that will be the start of a series of products that willmake Krita a solid alternative for a lot of artists.

Sample promo04

Don’t forget to make the pre-order of the DVD. Thanks to Ramon and have a nice day!

Is Krita for you?

The answer is… YES!

This is the first of a serie of posts where we will show you , all the different artworks that you can create with Krita. For that we have talked with some artists and asked to them some questions for you!

The first artwork was created by Greg (France). It’s a colourful paint that appeals to the imagination. He painted this image for the second birthday of his niece! (Please, press for a high size of the image and you will appreciate all the details)

naia_and_the_magic_sketchbook_by_gregoo23-d66ggv4

– How did you discovered Krita?
I’ve been for quite a while interested in open source os and applications and decided a few years ago to have a dual boot with Kubuntu and discovered Krita while looking at painting apps on linux.

– What brushes did you use for this image?
I’ve used mainly Deevad brush set and a few custom brushes. Lots of overlay brushes for the glowing on the animals.

– What is your favourite feature of Krita?
I really love how speedy everything is. Image navigation, mirror flipping and brush engine is very responsive. Also the right click interface is very handy.

– Why would you recommend Krita?
I’d recommend it simply because it’s an absolutely awesome open source painting application full of amazing features. Fast and simple interface, optimized workflow.

– Why did you started with digital painting? Do you still painting on paper?
I’ve not painted that much traditionally. I was mostly sketching and drawing on paper but it’s only recently that I’ve started venture into the world of digital painting. The safety net of undo’s and layer makes it less scary than for a traditional painting.

You can see more of his artwork on his deviantart.

Our second artist  is Tago73, he is from Italy, and we have the pleasure of show you this artwork:

oliver_twist_by_tago73-d3nqfov(Please, press on it to see all the details)

– How did you discovered Krita?
I discovered Krita few years ago, when I switched from GNOME to KDE.

– What brushes did you use?
I used the default brush with different opacity, size and dispersion.

– What is your favourite feature of Krita?
I can’t choose one, I love all the features!

– Why would you recommend Krita?
Simply because is the best app for painting

– Why would you started on digital painting? Do you still painting on paper?For convenience, I painted in oil on canvas, but cleaning the tools at the end of the work was a torture… Few years ago (5-6), my daughter was born and the time for my passion has been halved, so I started in digital painting and now I only work on it.

You can see more of his artwork on his deviantart.

Hoping you enjoyed it!